Kite (Dr. Suzanne Kite) is an Oglála Lakȟóta performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition,and an MFA from Bard College’s Milton Avery Graduate School, and a Ph.D. in Fine Arts from Concordia University, Montreal. Kite’s scholarship and practice investigate contemporary Lakȟóta ontologies through research-creation, computational media, and performance, often working in collaboration with family and community members. Recently, Kite has been developing body interfaces for machine learning driven performance and sculptures generated by dreams, and experimental sound and video work. Kite has published in The Journal of Design and Science (MIT Press), with the award winning article, “Making Kin with Machines,” co-authored with Jason Lewis, Noelani Arista, and Archer Pechawis. Kite is currently a 2023 Creative Capital Award Winner, 2023 USA Fellow, and a 2022-2023 Creative Time Open Call artist with Alisha B. Wormsley. Kite is currently a distinguished Artist in Residence and Assistant Professor of American and Indigenous Studies, Bard College and director of the Wihanble S’a Center for Indigenous AI at Bard College.

Ceyda Yolgörmez is a Postdocoral Researcher at the Indigenous Futures Research Cluster, working in the Abundant Intelligences Research Program. Her PhD work brought together social theory and interactive technologies, such as large machine learning models or social robots, to consider how our conceptions of the social are changing. Her PhD dissertation proposes a framework for a sociology of machines that reimagines human-machine relations. Her research looks at playful and creative engagements with machines as a site to explore and experiment with human machine socialities, and is interested in methodologies that reveal and trouble the common-sensical way in which we understand such relations.